A project which drew focus to memory, the artefact, and the differences between physical and digital representation.

Working closely with the viewer, fine art print studios, photographic print facilities, professional framers, and technical support teams the project raised questions about the image.

Two iterations of the project opened simultaneously in the U.K and Sydney, Australia. All works displayed were photographs of people holding prints of scans of drawings. The project was an exploration of not only a logistical nature, but also probed the role of and our relationship with the image itself.